Not
everyone can afford to travel to Switzerland for assisted suicide. Enter the
Exiteers, good men and women whose job is to sit next to a terminal patient and
witness the end of their life. Exiteers can't actively help the patients but
they can provide the silver cylinder and plastic mask needed for the final act.
This
is the background of the warm and witty Exit by Belinda Bauer
(Bantam Press, January 2021), a brilliantly plotted and totally unique crime
novel.
Seventy-five-year-old
Felix Pink is an Exiteer, a good man working under a pseudonym with an honest
desire to help others whose lives are no longer bearable. After all, if he
didn't do it, who would? With his experience, Felix serves as a mentor for
young Amanda, who joins him to witness a dying man's final breath. "I
don't think I can do this," Amanda says. "You'll be fine," Felix
assures her. What could possibly go wrong?
But
something goes horribly wrong, and soon Felix is on run from the police and
suspected of murder.
Exit
is a whodunit/whydunit mystery but its strength is in its characters—real
people with real lives and emotions. Felix is weighted down by events in his past.
Calvin Bridge, the policeman on his trail, wonders why he ever agreed to take
on the "worst job ever." Skipper,
the elderly man who planned to commit suicide with the Exiteers' assistance,
comes to realize that his grandson is after a bit more than what is promised to
him in the will. What make the characters even more human is the fact that many
of them have pets to care for.
Exit
is not exactly what you expected in a crime novel but exactly what you need for
an enjoyable read.
Belinda
Bauer grew up in England and South Africa. She has worked as a journalist
and screenwriter, and her script The Locker Room earned her the Carl
Foreman/Bafta Award for Young British Screenwriters. Her debut novel, Blacklands,
Belinda was awarded the British Crime Writers' Association's Gold Dagger for best
crime novel of 2010. Her novel Snap (2018) was longlisted for that
year's Man Booker Prize.
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