In the months after completing my second novel—a process that included writing, editing, rewriting, and even more editing—I queried more than 150 literary agents. I received outright rejections from 80 of them; most of the rest completely ignored me. A handful of agents asked to see an example of my work, but that's all. My quest to get representation actually had a happy ending
as you can see here, but for most aspiring writers, queries and the manuscripts they represent end up in an agency slush pile.
What would happen if a writer, one who believes he has completed the best novel ever written, started stalking the literary agent who rejected him? And what would happen to that agent if her agency becomes target of a nasty email campaign, and then things take a turn for the worse when her best friend and leading client end up murdered? When the agent fears that she could be the next victim, she unwittingly discovers that the publishing business can be murder.
This is what happens to Jo Donovan, the protagonist of
A Dangerous Fiction (Viking, July 2013) by Barbara Rogan. Donovan, the owner and principal agent of a boutique New York literary agency, learns that someone has hijacked the company's email account. All of Donovan's clients are told the very exciting news that their books have been accepted by publishers for publication, when this is far from the truth. Another even more damaging prank is yet to follow.