As someone without prior knowledge of Bulgaria, reading “Rakiya: Stories of Bulgaria” by Ellis Shuman was an insightful experience.
Rakiya, an eponymous chapter, is the first story in this collection of twelve short stories. It begins with an intensity that drives home the importance of Rakiya, especially when homemade, in Bulgarian culture. Unsurprisingly, Rakiya, the alcoholic drink, features throughout the book and is often lauded for its powerful taste and ability to enrich festive celebrations. However, the book delves into many other aspects of Bulgaria’s rich culture beyond the love for Rakiya. These aspects encompass its architecture, tourist attractions, favorable climate for startups, perseverance, hospitality, dark Second World War history, etc.
The first story explains how Rakiya is made while highlighting the importance of communication in preserving and restoring relationships. The second story, “Mother and Daughter,” as well as “The Volcano,” “Sozopol,” and “Forgiveness,” the third, fifth, and eleventh stories, call for introspection. These stories, in particular, present flawed characters doing their best to survive, provide for their loved ones, and acknowledge their mistakes. While it is easy to condemn certain actions they take in this bid to survive, such as pickpocketing, cowardice, and poor judgment, it is undeniable that there is a need for readers to consider what they would do if they were in the exact shoes of these characters during the temporal setting of each story.
Initially, the stories seem to end with the conclusion of each chapter, which can be rather abrupt, leaving the gap of ”What next?”. As the book progresses, however, the interconnectivity of each story unfolds beautifully and surprisingly. It is a pleasant surprise when a character who had a brief and mysterious appearance reappears in another story, shedding more light on his/her role in the earlier story, such as in “The Baker” (the seventh story). The baker helps the mother and her daughter in the second story, but readers only come to understand his character in this seventh story. He is Syrian, but due to the raging war between his country and Israel, he finds himself sheltering in Bulgaria with his family. During this seventh story, he has a brief encounter with an Israeli customer, whose perspective on this encounter isn’t revealed until the twelfth story.
The book’s physical setting revolves around Bulgaria, allowing readers to explore its capital, Sofia, as well as a few other locations like Sozopol, the Rhodope Mountains, and Varna while offering insight into Israeli and Syrian culture through dialogue and reflections from characters.
Indeed, the prose is detailed in drawing to the fore the richness of Bulgaria’s culture through vivid descriptions, such as:
“The squarish structure sat on a foundation of black-and-white striped arches; five golden domes above sparkled in the sunlight. The church’s remarkable architectural style, ornamental in nature, seemed to date not only to another century, but to another mindset as well. I stood in silent reverence, as awestruck as the devout pilgrims. Serenity. Tranquility. Holiness. I wasn’t a religious person, but here I felt something very spiritual.” (Pages 126-127).
“As you may know, in Bulgaria, our religion is Eastern Orthodox Christianity. The monastery is what kept the Bulgarian spirit alive through the centuries of Ottoman rule. During our oppression, the monks safeguarded our language, our culture, our history, even our alphabet. We may not be a religious country today, but Bulgarians regard the Rila Monastery as our most sacred site.” (Page 127).
“Rakiya: Stories of Bulgaria” by Ellis Shuman is an insightful, culturally rich blend of short stories, ranging from humorous to creepy to somber. If you enjoy learning about cultures and history and prefer a diverse mix of characters, then “Rakiya” is definitely worth the read. I particularly enjoyed “Sozopol” because I was pleasantly surprised by its conclusion.
The first story explains how Rakiya is made while highlighting the importance of communication in preserving and restoring relationships. The second story, “Mother and Daughter,” as well as “The Volcano,” “Sozopol,” and “Forgiveness,” the third, fifth, and eleventh stories, call for introspection. These stories, in particular, present flawed characters doing their best to survive, provide for their loved ones, and acknowledge their mistakes. While it is easy to condemn certain actions they take in this bid to survive, such as pickpocketing, cowardice, and poor judgment, it is undeniable that there is a need for readers to consider what they would do if they were in the exact shoes of these characters during the temporal setting of each story.
Initially, the stories seem to end with the conclusion of each chapter, which can be rather abrupt, leaving the gap of ”What next?”. As the book progresses, however, the interconnectivity of each story unfolds beautifully and surprisingly. It is a pleasant surprise when a character who had a brief and mysterious appearance reappears in another story, shedding more light on his/her role in the earlier story, such as in “The Baker” (the seventh story). The baker helps the mother and her daughter in the second story, but readers only come to understand his character in this seventh story. He is Syrian, but due to the raging war between his country and Israel, he finds himself sheltering in Bulgaria with his family. During this seventh story, he has a brief encounter with an Israeli customer, whose perspective on this encounter isn’t revealed until the twelfth story.
The book’s physical setting revolves around Bulgaria, allowing readers to explore its capital, Sofia, as well as a few other locations like Sozopol, the Rhodope Mountains, and Varna while offering insight into Israeli and Syrian culture through dialogue and reflections from characters.
Indeed, the prose is detailed in drawing to the fore the richness of Bulgaria’s culture through vivid descriptions, such as:
“The squarish structure sat on a foundation of black-and-white striped arches; five golden domes above sparkled in the sunlight. The church’s remarkable architectural style, ornamental in nature, seemed to date not only to another century, but to another mindset as well. I stood in silent reverence, as awestruck as the devout pilgrims. Serenity. Tranquility. Holiness. I wasn’t a religious person, but here I felt something very spiritual.” (Pages 126-127).
“As you may know, in Bulgaria, our religion is Eastern Orthodox Christianity. The monastery is what kept the Bulgarian spirit alive through the centuries of Ottoman rule. During our oppression, the monks safeguarded our language, our culture, our history, even our alphabet. We may not be a religious country today, but Bulgarians regard the Rila Monastery as our most sacred site.” (Page 127).
“Rakiya: Stories of Bulgaria” by Ellis Shuman is an insightful, culturally rich blend of short stories, ranging from humorous to creepy to somber. If you enjoy learning about cultures and history and prefer a diverse mix of characters, then “Rakiya” is definitely worth the read. I particularly enjoyed “Sozopol” because I was pleasantly surprised by its conclusion.
Review posted on Goodreads.
